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The Recipe for White Ash

Published
6 days agoon

The white ash conversation has been positively insufferable. Heady bois and cannabis connoisseurs from coast to coast have been posting videos of their ash on Instagram for what feels like years now, indicating that they’re smoking top-shelf product solely based on the color of the ash.
As much as I hate to disappoint, not only is white ash not an accurate metric of quality, it can be easily faked, gamed, cheated, duped and bamboozled using particular cultivation techniques, smoking methods, and, as shown by recent court documents, adding small amounts of chalk to the rolling paper.
Recently unsealed documents from a years-long court battle between Republic Technologies LLC and BBK Tobacco & Foods, LLP revealed the ingredient lists used to make OCB Rolling Papers, including one particular additive that Big Tobacco has been familiar with for years, which weed smokers might not be aware of: calcium carbonate.
Chalk-Infused Papers
Court documents from 2014 with regard to OCB rolling papers showed that varying amounts of calcium carbonate were used in some of their rolling papers, specifically the following: OCB No. 1 Single Wide, JOB Tribal King Size, OCB Slim, OCB Red 1 ¼, JOB Gold 1.25, OCB Organic Hemp 1-¼ and OCB Organic Hemp King Size Slim.

According to the National Institute of Health, calcium carbonate is an inorganic salt found all over the world in rocks like limestone as well as in the shells of many marine organisms and crustaceans. It’s the main ingredient in chalk, antacid medications like Tums, and as it turns out, it has also been used as a whitening pigment in cigarette rolling papers for decades. I was able to find three different patents, two of which date back to the 90s, from tobacco companies, including Phillip Morris, all listing calcium carbonate as a way to make cigarette ash more “attractive.” A study by the Cooperation Centre for Scientific Research Relative to Tobacco describes how calcium carbonate can affect the color of ash:
“Generally, as the size of the precipitated calcium carbonate particle decreased, the ash became more cohesive. As the particle size decreased, the ash became slightly whiter until an optimal particle size was reached at about 0.3 microns,” the study said. “Further reductions in precipitated calcium carbonate size caused the ash to become grayer.”
Calcium carbonate is not necessarily a harmful substance to include in rolling papers, but the material safety data sheet of calcium carbonate does classify it as a potential respiratory tract irritant. A National Institute of Health study of autopsies in smokers versus non-smokers also found that the elemental components of calcium carbonate are found in the lungs of smokers but not in non-smokers, meaning it potentially leaves residual particles in the lungs.
“Potassium carbonate, sulfate, and chloride were not identified in any lung. The percentage of quartz was the same in both smoker and nonsmoker lungs,” the study said. “However, lungs from smokers contained a large percentage (average 23% of all particles) of particles composed of calcium, carbon, and oxygen (probably calcium carbonate) in all sample sites, whereas lungs from nonsmokers usually contained no such particles or only minute numbers (average 0.1%).”
Moving away from the ultra-sciency talk, cigarette companies have added calcium carbonate to their papers for years to make the ash whiter (please Google Marlboro white ash ads, and you’ll see this conversation goes all the way back to the 1950s). Whether or not OCB papers are trying to gain the favor of weed smokers looking for white cannabis ash, I haven’t the foggiest idea, nor would I want to insinuate such a thing for fear of incurring a lawsuit I absolutely cannot afford. The point is that if a substance this common can be added to rolling papers, it would be very easy for an unscrupulous marketing team to use this knowledge to their advantage to sell more cannabis via using these particular papers in pre-rolls or to roll with when making smoking videos for the company’s Instagram, etc.
I Got a Fever, and the Only Prescription is More CalMag
It doesn’t stop there. I’ve been told by growers that you can also add greater concentrations of CalMag to flowering cannabis plants to achieve the white ash effect, which would make sense because CalMag is, somewhat redundantly, a mixture of calcium and magnesium. Calcium carbonate concentration is also, as far as I know, not included on any cannabis lab test COA, so there’s no concrete way for the consumer to tell if this method was utilized in the grow room. Again, not necessarily a harmful practice as far as I know, but also not an accurate measure of quality.
You can also achieve the white ash effect by rolling and smoking the joint in a particular way, which I’ll describe for you now in an effort to illustrate that you can absolutely, positively fake this shit for Instagram: Roll a full eighth into a joint as tightly as possible without suffocating it (see Doja Pak rolling tutorial from First Smoke of the Day for further reference). Now go buy yourself one of those mini torches that crack smokers use to heat up their pipes, the sketchier looking the better. Torch the end of your joint evenly and slowly. If it catches fire, gently blow it out and continue torching for a minute or two until you have a nice even cherry. Now you’re gonna want to hold the joint upside down, very gently, so that the smoke drifts upwards through your hands. Take a long, slow hit and return the joint to the upside-down position. Rinse and repeat, torching more if necessary until you have a nice white ash pile. Take your picture, post it to Instagram and receive a well-deserved pat on the back from your CEO.
Granted, you need at least somewhat decent weed to achieve this effect, even with the described method above. I will also fully admit I have never smoked a joint that burned completely black, which I would describe as quality weed. The point I’m trying to make here is that there are well-known schemes afoot to fool you into thinking you’re smoking good weed when that is not necessarily the case. Some people have purported that white ash is an indicator the cannabis was dried and cured properly, which has some truth to it because the moisture content of the flower needs to be within an ideal range to achieve a proper burn, but all the white ash really means is that the weed has burned completely, a process known as “carbonization.” An excerpt from “Whiteness of Cigarette Ash,” written by Isao Kanai in 1959 (again, please note the date), explains further:
“The whiteness of cigarette ash plays an important role in the burning quality of cigarettes, and it is considered to be related to the degree of carbonization of organic materials, the combustion-zone temperature of cigarettes, and other complicated ‘combustion phenomena’ of Cigarettes,” the report said.
A cursory Google search will also populate about 50 different explanations from various tobacco clubs and tobacco companies explaining that white ash is related to combustibility and levels of calcium and magnesium in the soil the tobacco was grown. The same can be said for cannabis.
Fire is in the Eye of the Beholder
So where does that leave us? Well, here’s where it’s gonna get a little subjective on my part. Quality cannabis ultimately comes down to user experience and user preference. There are certain markers that may suggest a particular batch of cannabis can be considered a quality product, but it’s a multi-faceted conversation. There is no single metric that can tell you if flower is good. It comes down to several key factors including, but not limited to: appearance, ash color, density, taste, smokability, cultivation methods (this is a lesser point but while I’m on the subject, the living soil versus salt-nutrients conversation is equally as pointless as the ash conversation), plant genetics, a proper dry and cure cycle and in my opinion the most important factor: effects. Individual microbiome, how one person’s body reacts to cannabis versus another’s, also plays a huge role.
What I will say, and I’m shamelessly stealing this point from our fearless leader Jon Cappetta, is that a better ash-related metric for quality weed is how the ash stacks up on itself (a metric also stolen from age-old tobacco-funded studies, I might add). If you can smoke most of the joint without the ash falling off (infused products don’t count), it means there’s a lot of resin in the flower, causing it to stick together. If the ash is speckled or white on top of that, all the better. Oil ring to boot? Fugedaboutit.
There’s a certain threshold I think we can all agree on that flower has to reach to cross over from bad to mids but past that threshold, as we’ve all witnessed, we all start to argue as a community about mids versus fire and the conversation ultimately devolves into silly, unimportant metrics like “whose ash is whiter.” I think in general the key here is just awareness of what we’re consuming, and the knowledge that our own personal experience with the plant is all that really matters at the end of the day. Don’t let flashy Instagram videos or age-old Big Tobacco schemes fool you into consuming a particular brand or strain. Smoke what feels good to YOU and spread awareness wherever you can so we as a community can properly identify true fire. Past that, I only ask that we all stop arguing online about white ash because it makes the cannabis community look like a babbling gang of rabid hyenas.
Original publication date: February 29, 2024

Author: mscannabiz.com
MScannaBIZ for all you Mississippi Cannabis News and Information.
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Delaware Governor Seeks Marijuana Regulation Advice From Colorado Counterpart As State’s Legal Market Launches

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August 18, 2025
The governor of Delaware says he’s still weighing the pros and cons of a bill that would overrule local zoning authority on marijuana and make it easier for cannabis businesses to set up shop—but he’s pledging that action on the legislation will happen “very shortly.”
During an interview with Delaware Public Media, Gov. Matt Meyer (D) also discussed a conversation he had with Colorado Gov. Jared Polis (D) about regulating the marijuana industry, drawing a contrast between their respective responsibilities given the fact that Colorado is much larger with more local jurisdictions to interact with compared to Delaware, which has just three counties.
Delaware’s adult-use cannabis market launched at the beginning of this month, but legislation awaiting Meyer’s action would make a key change related to local control of where marijuana businesses could operate. And the governor has indicated he’s still wavering on the proposal.
Asked about the fate of the bill from Sen. Trey Paradee (D), who also championed the state’s legalization legislation, Meyer said: “Stay tuned. You’ll hear soon. We will be taking action very shortly.”
“Listen, I have local government background. I don’t think it’s appropriate that, when state government likes local government regulation, they say, ‘Yeah, we support it,’” the governor said. “And when they don’t like local government regulation, they overrule it.”
“At the same time, it’s important for communities that this moves forward,” he said, referring to the implementation of the adult-use cannabis market.
The response didn’t clearly indicate where Meyer currently stands on the proposal, but he also said it’s “always on the table” that he could allow the bill to take effect without his signature.
“I was talking to Governor Polis of Colorado about marijuana regulation just the other day and he’s just like, ‘Just let the counties do it.’ He has too many counties to know,” Meyer said. “I was asking, ‘What’s the regulation of counties?’ He’s like, ‘I have no idea.’ He’s like, ‘Some do it, some don’t. I don’t really know.’”
The Delaware Public Media host said: “But he’s not going to run into the problem, though, where if there’s enough zoning laws, there’s literally no place to put the facilities. That’s probably not a problem for him.”
The governor agreed, saying “Colorado is much larger” with a “three-mile [zoning] limitation from schools,” which would be less feasible in the smaller state of Delaware. “We’re going to see what we can do,” he said.
On the topic of broader regulatory responsibilities, Meyer said the state is “very lucky” that the Office of the Marijuana Commissioner (OCM) is headed up by someone who comes from outside of Delaware who is “one of the leading thinkers on this issue.”
“He looks at it from a business and community aspect, whereas traditionally Delaware has looked at it as a public safety issue,” the governor said. For his part, Meyer said revenue generated from cannabis taxes is “clearly third” on his list of reasons to support legalization.
The first priority, he said, is ensuring that “communities are sustainable and they’re safe and they’re protected.”
“I think there’s a lot of concern in communities. I have small children. What are we doing? Do we want this thing all around our kids? I don’t know how many of you have been to New York or San Francisco lately, but you go outside and there’s that stench,” he said. “That’s not Delaware. We’re doing everything to make sure that we continue to retain the same communities we have.”
“We also have a historic obligation. Marijuana and marijuana enforcement in this state has not been equitable. There are people in our communities today, almost all Black and brown people, who have been imprisoned for years and years for using and selling marijuana, where people of different colors of skin have not had that same experience. We need to make sure we use whatever revenue we have to address that historic wrong going forward.”
“We’re continuing to watch and monitor to make sure communities are being protected as this economic opportunity grows and make sure people are safe,” Meyer said.
While marijuana revenue might be “third” on his list, the governor recently touted the state’s first “successful” weekend of adult-use cannabis sales, with total purchases for medical and recreational marijuana totaling nearly $1 million—and compliance checks demonstrating that the regulated market is operating as intended under the law.
Delaware’s first adult-use marijuana shops officially opened for business on August 1, with a handful of existing medical cannabis operators able to service consumers 21 and older.
This comes about two years after marijuana legalization was enacted into law under former Gov. John Carney (D).
Ahead of the sales roll-out, the governor last month toured one of the state’s cannabis cultivation facilities, praising the quality of marijuana that’s being produced, which he said will be the “French wine of weed.”
The launch of the legal market comes amid some controversy, however, with critics alleging that allowing medical operators to start adult-use sales ahead of other license applicants is unfair. There’s also ongoing tension between state and local officials over who will ultimately control zoning rules for the new industry—a dispute that could have major implications for the rollout of future stores.
Dozens of other would-be retailers that have either already received licenses or are still awaiting issuance will need to wait for further regulatory approvals until they can open their doors—a situation that’s frustrated some advocates.
Meanwhile, two lawmakers who led the push to legalize marijuana are separately seeking input from consumers and businesses about the market launch. Paradee, the sponsor of SB 75, and House Majority Whip Rep. Ed Osienski (D)—the primary sponsor of the state’s 2023 legalization bills—put out a new online form this month for residents to share thoughts and feedback about the cannabis program anonymously.
The idea is to identify any hiccups that lawmakers might need to address when they return for next year’s legislative session.
OCM initially projected that recreational sales would start by March, but complications related to securing an FBI fingerprint background check service code delayed the implementation. Lawmakers passed a bill in April to resolve the issue, and the FBI subsequently issued the code that the stat’s marijuana law requires.
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Late last year, OMC held a series of licensing lotteries for cannabis business to start serving adult consumers.
A total of 125 licenses will ultimately be issued, including 30 retailers, 60 cultivators, 30 manufacturers and five testing labs. Last year, regulators also detailed what portion of each category is reserved for social equity applicants, microbusinesses and general open licenses.
Regulators have also been rolling out a series of proposed regulations to stand up the forthcoming adult-use cannabis industry.
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The dual licensing legislation is meant to allow recreational sales to begin months earlier than planned, though critics say the legislation would give an unfair market advantage to larger, more dominant businesses already operating in multiple states.
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Delaware’s medical marijuana program is also being significantly expanded under a law that officially took effect last July.
The policy change removes limitations for patient eligibility based on a specific set of qualifying health conditions. Instead, doctors will be able to issue cannabis recommendations for any condition they see fit.
The law also allows patients over the age of 65 to self-certify for medical cannabis access without the need for a doctor’s recommendation.

Author: mscannabiz.com
MScannaBIZ for all you Mississippi Cannabis News and Information.
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Major trucking group’s cannabis rescheduling concerns (Newsletter: August 18, 2025)

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Senator touts hemp research funding; TX medical marijuana rules unveiled as hemp ban advances again; Study: Cannabis as opioid alternative for pain
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Author: mscannabiz.com
MScannaBIZ for all you Mississippi Cannabis News and Information.
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From The Vault: The HIGH TIMES interview Allen Ginsberg (1992)

Published
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August 18, 2025
Original publication: February 1992.
The HIGH TIMES interview Allen Ginsberg
Count Beat poet Allen Ginsberg among the nation’s first hemp activists. After his seminal poem Howl thrust him into the national spotlight in 1956, Ginsberg began speaking out in favor of marijuana-law reform, gay rights and a myriad of other causes close to his heart. Since then, he’s produced a body of work (including Planet News, the anti-nuke Plutonian Ode, and White Shroud) that has earned him the recognition of not only the counterculture, but also that of the literary establishment—receiving the 1974 National Book Award for The Fall of America.
Besides Ginsberg’s literary notoriety, he’s recorded with Bob Dylan and the Clash, and his recent spoken-word/music disc The Lion for Real is tender and raunchy—highly recommended. Ginsberg also recently wrote lyrics for an opera, Hydrogen Jukebox, a collaboration with noted composer Philip Glass. And as if this weren’t enough, Twelvetrees Press has just released a beautiful book of the poet’s photographs.
A devotee of Tibetan Buddhism since 1972 (and less and less a pot-smoker), Ginsberg, now 65, teaches poetics during the summer at the Naropa Institute’s Jack Kerouac School of Disembodied Poetics in Boulder, Colorado, where this interview took place. At first testy due to his consistently hectic schedule, Ginsberg quickly warmed up and proved to be a generous interview subject, his stream-of-consciousness replies sounding like improvisational poetry.
by Gregory Daurer
HIGH TIMES: Why do you think there’s a revival of interest in the ’50s Beat Generation and its literature?
Allen Ginsberg: The literature and mythology of the Beat generation [runs] counter to the current hyper-technological, homogenized, money-obsessed, security/fear-based, militaristic gross-out. It specialized in the analysis of the technological Police State; the refreshing insight into ecological sanity; the revival of the Whitmanic notion of American friendship and affection as the basis of democracy; respect for individuality; disrespect for the law where “the law is an ass,” pertaining to psychedelics, marijuana and the handling of heroin not as a medical thing but as basis for some sort of Police State structure.
All these themes make the original Beat ethos quite user-friendly, compared to the destructiveness of the supposed “straight” world that can go nuts, killing one hundred fifty thousand people in Iraq for the sake of oil that’ll pollute the planet. These themes are perennial values in a decade without values in America—a nation sustained by abuse of the earth’s resources and consuming a disproportionate amount of raw materials and creating a disproportionate amount of garbage and possessing a disproportionate amount of military power for such a small nation.
HT: What Beat works best reflect the ideals you’ve discussed?
AG: Books like On the Road or Visions of Cody, or Visions of Gerard or The Subterraneans—any of Kerouac’s writings coming from his spontaneous natural mind. Or Burroughs’ extremely intelligent analysis of the addiction situation in America. Or my own sort of exuberant, sometimes gay, sometimes psychedelic, sometimes Buddhist, sometimes angry, sometimes funny, natural mind—see Collected Poems or White Shroud. Or Gregory Corso’s historical scope in Mind Fields, because he’s a pretty good one for applying Greek myth to contemporaneity. Or Gary Snyder’s Practice of the Wild, correlating back country with wilderness of mind. Or Philip Whalen, the first Beat poet abbot. Or Michael McClure’s new biological poetry, nature talking. As well as the sometimes inspiring myths of Neal Cassady who transcended—or spanned—several generations of American psyche and road simultaneously—from Kerouac to Kesey.
HT: Can you comment on the genesis of the Jack Kerouac School of Disembodied Poetics—how that came together and how it expresses these values you’re discussing?
AG: Well, to begin, the Ven Chögyam Trungpa Rinpoche, was a Tibetan lama and came to Boulder and established a meditation center, Dharmadhatu, and invited me and Gary Snyder and Robert Bly out for a poetry reading to raise money for it in 1972.
At the end of summer, 1974, Trungpa sat down with me and John Cage and Anne Waldman and Diane di Prima and a few of his students and said, “Can you fellows take the responsibility for forming a school of poetry here within Naropa Institute to teach the Buddhists pure mouth, poetic mouth, because they’re not going to be good teachers or good Buddhists unless they use the world of speech skillfully to enlighten other people, to liberate other people. And at the same time, the poets who work here can learn meditation and sanity so there’s less deaths from alcohol and suicidal behavior and doubt about poetry being OK. So, I thought that view was great. It’s gone on for seventeen years, and the school finally got accredited about five years ago in 1986.
HT: What are your current views on psychedelic drugs?
AG: The last thing I tried was Ecstasy. The first trip was really great—here in Boulder—five years ago. One immediate conclusion I came to was that Ecstasy was misnamed: it was not a poet who laid that trip on the poor drug. It’s “Empathy.” “Ecstasy” is some kind of hippy-dippy exaggeration hyperbole. “Empathy” is more accurate, because the trip immediately made me feel very sympathetic, empathetic to everybody I knew.
HT: Have you tried it since then? AG: Second time I took it, same thing, but much diluted and it wasn’t that interesting. The amphetaminesque aspect of it was dominant and I didn’t like that. I don’t like amphetamines or cocaine—they just make you nervous and frazzle your nerves and exhaust your endorphins….
HT: What did you learn from psychedelics?
AG: Psychedelics seem to me a classic educational tool or classic visionary tool. The only way I’ve slightly changed my view of them—it’s been twenty years of meditating now—I think it’d be useful to have some information or instruction or experience in centering yourself with meditation practice. Preferably nontheistic: so you don’t get trippy on Hindu gods, or Christian gods, or Jewish Jahvehs, or monotheistic monsters in the sky, or devils; but more open space as in Buddhist and some Hindu and some Kabbalah and some Sufi view—a centering mechanism so you don’t get entangled and trapped in your own projections. And being trapped in your own projections on acid is something I’ve experienced often and I can see how it could lead to disasters.
HT: Explain what that concept means.
AG: Some people get into a circular feedback, “Oooh, I’m in a human body, ooh. I’m dying, I must be dying this very minute, maybe I’m dying now, oooh, call the police!” And that’s how one gets entangled in one’s own projections. Or take off your clothes and jump in front of the cars and say, “Stop all the machinery!” So you might get run over or arrested, not knowing skillful means of communicating naked nature.
HT: What would “skillful means” be?
AG: The “skillful means” aspect of activities comes as a by-product of centering. The “wisdom” aspect might be psychedelic perception of the transitoriness of the world—with minute, particular detail glittering in the mandala of the eyeball, a sense of emptiness in the world. So, combining wisdom and skillful means together would be necessary.
Unfortunately the teaching of the government is neither wise nor skillful. It’s fixated on some God realm or some monotheistic central statism.
And the government is entangled in its own projections, the projections that it had originally when the CIA introduced acid: that psychedelics were war weapons, and would drive the enemy nuts. They never got over it, because perhaps they were nuts themselves, the CIA director of project MK/ULTRA.
HT: You’ve described Timothy Leary’s psychedelic retreat in upstate New York—Millbrook—as a remarkable place. What do you recall about those times in the earlv ’60s?
AG: Well, they trained people—psychologists and Eastern advisors—with a foundation aimed at exploring reactions and uses and safe procedures with LSD or other psychedelics. Hospitable. Open. Actually, quite scientific compared to the government’s experiments, which were totally unscientific. And, as someone who took part in legal government experiments, I know how they were unscientific.
“They put me in a terrible room with whitewashed tile hospital walls and all sorts of batteries and machines and stuck electrodes in my skin….”
HT: How were the government sponsored acid tests unscientific?
AG: They put me in a terrible room with whitewashed tile hospital walls and all sorts of batteries and machines and stuck electrodes in my skin and treated me like a hospital victim. It wasn’t the right way to take LSD.
Leary had you take it in the woods or in the big house with friendly people so you didn’t become an “object.” See, in government experiments at the Stanford Institute of Mental Health— 1959—they treated subjects like objects to be studied, rather than living persons with whom to relate. Leary was treating the people he was working with as living, autonomous, individually-different people and taking a lot of notes and information on the subjective experience, saying that all you can get from that experience is subjective description.
Just like with lovemaking: You can measure the prick or the pulsations or the number of sperm or the body heat, but you won’t get the subjective thing in the belly: How does it feel in the belly or the heart when you relate to someone? And that’s the key to sex— you can’t measure it from the outside. And that goes along with [physicists] Heisenberg and Einstein: the measuring instrument determines the appearance of the physical world. Anyway, the government was inept and Leary was ept.
HT: What did you find useful about Leary’s methods?
AG: Millbrook was a safe center and he evolved a number of good generalizations for the use, mainly: Don’t make it secret, be candid, give the people the drug to take as much as they want themselves, so that they control the input rather than some controller— take it in a relaxed setting.
Leary came to the generalization that the set and setting influence the trip, which is the most wise thing that’s been said so far by any psychologist about drugs, and it’s the key to why some people freak out and it’s the key to why the whole government criminalization of the psychedelics put a wet blanket on the whole psyche.
So, Millbrook was an oasis of sanity. Naturally they went overboard here and there and got caught up in their own ideas of LSD saving the world or whatever—cleaning out their brains with LSD. But they were actually quite judicious in their use. You know, give it to one or two people and there’d always be observers and guides—people to help out if someone got into a panic or got upset. They were able to take care of it. They built a support system psychologically.
HT: Who do you recall first lining up for Leary’s Harvard psilocybin experiments?
AG: Kerouac. And Bob Kaufman, the black poet, living upstairs. Leary came to my apartment—a real small Lower East Side living room. Kerouac and Kaufman came and we tried psilocybin. I remember “Coach Leary,” as Kerouac saw him, like an Irish football coach, and Kerouac looking out the window and saying in a funny voice,
“I feel like pissing at the moon,” or something.
But then Kerouac said one great thing when he realized the import of it—though he’d had peyote ten years earlier. He said, “Walking on water wasn’t built in a day.” I’ve always remembered that in terms of the change of American consciousness or the alteration of the hyperindustrial monstrosity—a deconstruction which is necessary for the survival of the planet. That kind of miracle isn’t built in a day. Slow patience.
That’s one of the best things I’ve ever heard about acid or psychedelics as distinct from crazed enthusiasts— who think with one experience they understand the secrets of the universe.
HT: What do you think of the War on Drugs?
AG: I think it’s a fraud, and it’s a conscious fraud. The government has been entangled in the sale of hard drugs all along: mainly the transportation of heroin from the Golden Triangle from the ’60s on, at least.
The tradition goes on through Central America, where you see marijuana and cocaine being used to pay for arms. That’s been gone into at great length with Kerry’s Senate subcommittee; so, that’s pretty well established—even in the mainstream. And the government, simultaneously appointing a War on Drugs, has been secretly dealing drugs or using drug money for its own nefarious purposes, secret and illegal, off-the-shelf CIA/NSA operations.
So, the War on Drugs doesn’t make any sense at all. It’s a completely chaotic and evil, sinister, outright criminal enterprise by the government. It’s not a War on Drugs; it seems almost an effort to spread drugs.
HT: What do you see as a solution?
AG: The only way there’s ever going to be a solution is to legalize grass as a cash crop for small family farms, to reinvigorate the small family farm ideal in America and make it economically feasible. Send the junkies to doctors either to cure or maintain with natural opiates that are better than heavy, synthetic methadone. The latter seems to give too heavy a habit and is too hard to kick; so some natural opiate would be better as [Herbert] Huncke said in a previous issue [Sep. ’90 HT]. Liberate the psychedelics for scientific or spiritual use, maybe licensed in some way: You know, maybe you can get it free if you take a course in samatha-vipassana or a course in centering or tai chi.
And you could then reexamine what you wanted to do with cocaine and amphetamines, because they do lead to psychosis, they are a threat like alcohol. They’re not as big a threat as alcohol, but they are the similar parallel threat to the family, to friends, to houses—violence and burglaries rise with that kind of psychosis. But at least we could look at the real heavy substances to find a way out, or cure or “skillful means.”
But as long as you pile up the War on Drugs as a war on all drugs and call everything a drug whether it’s a dried herb or natural opium or a mushroom or a cactus plant—that doesn’t make any sense at all. It never did. It’s such a prejudiced, stupid, narrow-minded, ignorant setup that it must be a setup on purpose. And the purpose would be to extend government control over individual lives, over dissidents and seekers for an authority outside of organized state and rigid religion.
HT: What emboldened you to start speaking out in public against drug laws in the ’50s?
AG: What emboldened me was meeting Huncke and hearing about his situation as a junkie and realizing he was in trouble and the police were hounding him like Nazis hounding a Jew, something parallel. He had this addiction. there was no doctor that could cure him. He had a medical condition and he was being hounded by the police with guns. It didn’t make any sense at all. It wasn’t like you read in the paper; he wasn’t a dope fiend in that sense. He was just a guy in trouble. And a brilliant and sympathetic guy.
I went on a boat to New Orleans in 1945 or ’46 and the Puerto Rican messman/roommate turned me on to some grass and told me where I could find some in Harlem on 11th street. The difference between the government party line on marijuana and my direct experience of it was the difference between a world of abstract fantasy— the government’s—and my own concrete realization—an experience that was not only sort of innocuous, but also I had surprisingly funny perceptions.
HT: Like what?
AG: I can remember the first time I really got high in Manhattan. We got in a car and couldn’t find our way around the block practically. But we wound up going into a small cafe, and I ordered a black-and-white sundae. And it was this extremely cold, sweet, vanilla white ice cream covered by thick, hot, black, syrupy chocolate and it was amazingly good! My taste buds never realized the common black-and-white sundae: the humor of that combination, the polarity of it, the commonality, the commonness—this is the all-American creation, this completely yin-yang or polar opposite, artistic creation! And then all of a sudden I think of the government idea that marijuana drives you mad like a frothing dog until you take an axe and kill somebody. Instead they give me ice cream!
HT: What were some of your other grass experiences in the late ’40s and early ’50s?
AG: I’d go to the Metropolitan Museum of Art to look at the Carlo Crivelli and other Renaissance paintings and I went on to look at Cézanne and Paul Klee from that point of view. I found it useful for the study of aesthetics. I really don’t dig people using it just for giggling and having parties and getting drunk on it, because it seems that with marijuana you can refine your senses, if you make that your purpose.
So, the difference between my direct experience of grass—and a whole generation who had direct experience—and the government party line depicting grass as monstrous, causing psychosis—gave me to realize that the habitual tendency of the government seemed to be intended to close the “doors of perception,” lest people become too individualistic and begin to suspect the government of being some type of network plot to keep people asleep, in line, not merely physically, but psychologically.

Author: mscannabiz.com
MScannaBIZ for all you Mississippi Cannabis News and Information.

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